Mornington Crescent by  Spencer Gore

Mornington Crescent 1911

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Dimensions: support: 635 x 762 mm frame: 839 x 966 x 62 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Spencer Gore's "Mornington Crescent," part of the Tate collection, presents a seemingly simple London scene. The canvas is 635 by 762 millimetres, creating an intimate viewing experience. Editor: It feels like a memory, or perhaps a stage set, with that central tree like a character waiting for its cue. Curator: Trees in art often represent the cycle of life, death, and rebirth, acting as a bridge between the earthly and spiritual realms. Gore’s bare branches could suggest winter or a moment of introspection. Editor: Maybe the "Mornington Crescent" title is not just a location, but a loop, a cycle. The quietness of it makes me think about the unseen energy in nature, the potential just before spring. Curator: Gore, who passed away at just 36, captured something universally enduring. We can see echoes of impressionism, but it's uniquely his own style. Editor: It’s a quiet poem in paint, isn’t it? Something to return to when the world feels too loud.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/gore-mornington-crescent-n05099

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tate 1 day ago

From 1909 until 1912 Gore rented a front room at 31 Mornington Crescent in Camden. During this period he painted from his window numerous views of the surrounding houses, gardens and tube station. Mornington Crescent faced leafy gardens until the Carreras Cigarette Factory was built on the site in 1926. Its fine curve marked the northern edge of the area conceived in outline by John Nash in the early nineteenth century. This area of north-west London is today home to millionaires, but in the early twentieth century its population was mainly working-class. Gallery label, February 2004