begonnene Skizze, wohl zweier Köpfe (Initial Sketch) [p. 15] 

Here, Max Beckmann’s simple sketch captures the essence of human connection through the motif of two heads in close proximity. This act of placing figures near each other carries a rich history. In ancient Roman portraiture, such proximity often symbolized familial bonds or partnerships. Renaissance artists like Raphael used similar groupings to convey intellectual exchange and harmony. Beckmann’s sketch seems to distill this tradition to its most basic form. These faces suggest intimacy, whether a mother and child, or confidantes whispering secrets. The vulnerability of the sketched lines enhances the sense of shared humanity. Consider how this motif appears across cultures—from Egyptian tomb paintings depicting family units to modern photographs capturing moments of shared experience. The enduring power of two figures together speaks to our primal need for connection. It reflects our collective memory and reminds us of our shared existence.