Susanna before Daniel, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 3 1605 - 1606

Willem van Swanenburg created this print, Susanna before Daniel, as part of the Thronus Justitiae series. The stark contrast in light and shadow immediately draws the eye, creating a dramatic scene filled with tension. The composition is structured by strong vertical elements, like the columns, balanced against the horizontal lines of the architecture. This framework emphasizes the figures, pushing Susanna into the spotlight as she stands between her accusers and Daniel. Consider the semiotic interplay here. The architectural setting acts as a stage, framing the narrative. The gestures and expressions of the figures contribute to a complex visual language: Susanna's open hands, the accusers' pointing fingers, and Daniel's authoritative stance. These are not merely illustrations but coded signs meant to convey moral and legal themes. The print functions as a site for interpreting power and justice. Its formal arrangement and play of light and shadow underscore how art engages with, and reflects, cultural and philosophical ideals.