Boerenhofstede met drie bomen 1865 - 1902

Emile de Baré made this print, *Boerenhofstede met drie bomen,* using etching, a process that allows for a high degree of detail. The etcher covers a metal plate with a waxy, acid-resistant ground, then scratches an image into that surface, exposing the metal. The plate is then immersed in acid, which bites into the exposed lines. This process can be repeated for a range of effects, from light, feathery lines to deep, dramatic furrows. Look closely and you can see the texture of the individual strokes, cross-hatching to build up tone, and the way the ink sits on the surface of the paper. These techniques create a rich visual language and texture in the print that capture the essence of the rural landscape. Etching has a long history, but reached new heights of popularity in the late 19th century. It offered artists an accessible way to explore themes of labor, nature, and everyday life, and played a crucial role in broadening the audience for fine art. This print exemplifies how craft techniques can be used to elevate our understanding and appreciation of the world around us.