Marriage Medal of Wilhelm V, Prince of Orange, and Frederica Sophia Wilhelmina, Princess of Prussia [obverse] by Gysbert van Moelingen

Marriage Medal of Wilhelm V, Prince of Orange, and Frederica Sophia Wilhelmina, Princess of Prussia [obverse] 1767

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Dimensions overall (diameter): 3.7 cm (1 7/16 in.) gross weight: 18.92 gr (0.042 lb.) axis: 12:00

Curator: So stoic! All formal posture and repressed feelings. What am I looking at? Editor: This is a marriage medal, dating back to 1767. The piece, by Gysbert van Moelingen, commemorates the union of Wilhelm V, Prince of Orange, and Frederica Sophia Wilhelmina, Princess of Prussia. Curator: Orange and Prussia, eh? Talk about power plays! This isn’t exactly Cupid’s arrow we’re seeing here, more like…an ironclad handshake between nations? The profiles are beautiful but… distant. Editor: Exactly. The medal, fashioned from metal relief, served as a public declaration, a dissemination of power through imagery. Marriage, especially among royalty, was always a strategic act. This medal served to propagate that act to their constituencies. Curator: It is all political and a bit tragic if you ask me. Do you think she even liked him? They barely seem to be glancing at each other! She looks like she tolerates him, not loves him. Is that wildly off? Editor: Perhaps. Although, these were people raised for duty, and political stability relied on alliances like these. This wasn't about individual sentiment as much as about dynastic legacy and securing futures. Curator: True. Still, I keep picturing the artist there, painstakingly rendering each curl of hair, each fold of fabric, probably rolling their eyes thinking, "Here's another stiff portrait for the ages." But hey, at least they got paid. I can relate. Editor: You see the hand of an artist negotiating both technical demands and a potent, albeit prescriptive, symbolic order. Van Moelingen successfully rendered the weight of political expectations, and he secured a legacy too, since his name is immortalized at the bottom edge. Curator: The faces…almost identical in their rigid composure. Though I have to say, that's incredible work in metal. Imagine holding their whole future in your hand… or on a commemorative coin! Editor: Absolutely. It speaks volumes, doesn't it? It shows the importance attributed to these events, these unions. Curator: This marriage, stamped into metal, meant something to people way back then. What did they feel? Did they hold on to this, thinking the marriage, their future depended on this symbol. Food for thought, if you are ever feeling existential. Editor: Indeed. And looking at it today provokes more than one feeling; something sad, something impressive, something political and very human too.

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