Singer at the Cafe Metropole, New York City by Lisette Model

Singer at the Cafe Metropole, New York City Possibly 1946 - 1976

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Dimensions image/sheet: 49.3 × 39.9 cm (19 7/16 × 15 11/16 in.)

Curator: Here we have Lisette Model’s striking gelatin silver print, “Singer at the Cafe Metropole, New York City,” its precise date thought to be sometime between 1946 and 1976. Editor: Wow. Just…wow. Raw, unfiltered, pure feeling. The singer is completely exposed, emotionally and visually. It’s a portrait of passion caught mid-explosion. Curator: Model was drawn to subjects outside the mainstream, often capturing people unaware or unconcerned with being observed. The Cafe Metropole was a jazz club on Broadway and a haven for all sorts of characters, so there’s a narrative unfolding here even before the shutter clicks. Editor: You can almost hear the music, the late-night vibe of the place, the rawness of the performance. The high contrast makes the moment even more intense. The way the photograph is angled adds to the sense of spontaneity, the chaotic beauty of a single, fleeting instant. Her hair even looks like it's caught in the musical frenzy. Curator: Absolutely. Model sought to depict what she considered “the uncompromising intensity of life,” and the photograph certainly reflects an intensity resonant of the post-war era. We see her rejection of traditional, idealized portraiture in favor of a stark realism. Editor: I find it inspiring that the picture isn’t flattering. It is something else entirely – a powerful expression. You know, as artists we're always grappling with how to represent authentic experiences. How do you cut through all the noise and find the raw nerve? Lisette Model got it. She really got it. Curator: Model did have a significant impact as both a practitioner and a teacher, and one that stretched through several generations of photographers and artists. Perhaps that is because her artistic goal was to give us not just a picture of someone singing, but a slice of New York City’s cultural history as well. Editor: Right, she captured the heart of the scene. It's like looking into a time capsule, but it is full of feeling. Now that's my kind of art. Curator: Well said. I would concur with that completely.

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