Cain Fleeing from the Wrath of God (The Body of Abel Found by Adam and Eve) c. 1805 - 1809

Editor: Here we have William Blake's depiction of "Cain Fleeing from the Wrath of God." The figures are so sculptural; the whole scene feels like a frieze. What stands out to you in the composition? Curator: Notice how Blake employs a limited palette, predominantly cool grays and blues, punctuated by the fiery reds and oranges of the sky and Cain's hair. This creates a dramatic contrast. The muscular figures of Cain, Adam, and Eve are rendered with a stark linearity, emphasizing their psychological states. Editor: So the colors and line work are really driving the emotional impact. Curator: Precisely. Observe how Cain's dynamic pose contrasts with the static presentation of Adam and Eve cradling Abel. This juxtaposition amplifies the sense of turmoil. Editor: It's amazing how much emotion comes through in the figures' forms alone. Curator: Indeed. Blake masterfully uses form and color to convey profound emotional and psychological depth.