Delights of Fishing by Charles Turner

Delights of Fishing 1823

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drawing, print, paper, watercolor

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drawing

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water colours

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print

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landscape

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paper

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watercolor

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romanticism

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genre-painting

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watercolor

Dimensions: 200 × 262 mm (image): 235 × 285 mm (plate); 268 × 260 mm (sheet)

Copyright: Public Domain

Curator: The artwork before us, titled "Delights of Fishing", dates back to 1823 and is attributed to Charles Turner. Executed with watercolor and printed on paper, it's a rather charming scene. What’s your initial impression? Editor: Immediately, I’m drawn to the soft textures. The materiality feels key here. This print on paper has a delicate, almost fragile quality that underscores the ephemeral nature of leisure, and, indeed, nature itself. How do the visual symbols fit into this feeling? Curator: This idyllic landscape seems to represent a very specific, perhaps idealized, idea of leisure in the Romantic period. Fishing, which in some eras represents sustenance or hard labor, is depicted as a delightful escape. The man’s fashionable attire underscores that. The overturned boat in the background is a little humorous and tells a narrative about our fallibility. It reminds us to be humble. Editor: I find myself wondering about the process. Given that this is a print, what would the labour have entailed in making multiple copies of such a watercolour design in 1823? The creation, circulation, and consumption of images like these reveal much about class and leisure in this historical moment. Curator: Good question. Beyond its social dimensions, the watery depths reflected here call to the symbolic unknown – the realm of feeling that mirrors the Romantic emphasis on personal experience and the sublime. It suggests not only the simple pleasure of the activity itself, but also deeper reflective qualities. Editor: True, there's a fascinating contrast here. The print, as a commodity made by labouring hands, encounters a subject - angling - presented as genteel retreat. Was fishing here an aristocratic signifier, or was it enjoyed and practiced more broadly? I see contradictions between representation and the materiality of this era. Curator: It's likely the fishing is posed for affect and not intended to represent true hardship; Turner plays up to specific notions. That’s an insightful contradiction you’ve flagged that I hadn’t picked up on. Editor: Reflecting on "Delights of Fishing," it's apparent the piece provides entry into social dynamics around leisure while emphasizing its delicate materiality. Curator: For me, it emphasizes the cultural weight that images such as this carried in their time, portraying not merely a pastime, but a vision of societal pleasure.

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