Aangeschoten! Possibly 1874 - 1875

Johannes Tavenraat created this drawing of a hare, aptly titled "Aangeschoten!", using pen in the 19th century. Note the hare’s seated posture; though seemingly natural, this echoes a motif resonating with human vulnerability and introspection. The hare, an ancient symbol of fertility and rebirth, takes on a different hue when depicted like this. Consider the "Melancholia" engraving by Dürer. Here, we see a very similar pose which conveys a state of contemplation and sorrow. This posture, recurring across epochs, suggests a shared emotional language. The hare, usually vibrant, mirrors the human psyche's moments of pause and quiet despair. This connection might tap into our collective unconscious. The image engages viewers with the vulnerability of life, revealing the hare as more than just a creature of the field. It stands as a mirror, echoing our deepest reflections.