Säterstuga i Dalarne by Peter Gemzøe

Säterstuga i Dalarne 1862

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lithograph, print, engraving

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lithograph

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print

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landscape

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genre-painting

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engraving

Dimensions 462 mm (height) x 567 mm (width) (billedmaal)

Editor: This is "Säterstuga i Dalarne," an 1862 lithograph by R. Haglund, currently held at the Statens Museum for Kunst. What strikes me is the detailed depiction of everyday life – the contrast between the interior and the brightly lit doorway. What do you see in this piece that perhaps I'm missing? Curator: It’s interesting to view this lithograph through the lens of its social context. Consider how genre painting became increasingly popular in the 19th century, reflecting a growing interest in representing ordinary people and their daily routines. It depicts an idyllic scene of rural life, but we might ask, for whom was this ideal constructed? How does it serve the interests of, say, the burgeoning urban middle class, eager to romanticize the countryside? Editor: That's fascinating! I hadn't considered who the *audience* would be. It almost feels like a curated glimpse into a simpler existence, designed for city dwellers. Curator: Precisely. Think about the institutional framework: why would a museum like the Statens Museum for Kunst display a scene like this? What kind of national identity is it helping to shape, especially given the rise of nationalism across Europe at the time? This imagery may serve a public function – uniting through constructed memories and values. Editor: So, beyond the aesthetic, we're really looking at a work that’s participating in a much larger cultural and political narrative. I guess it shows how an image of simplicity can be surprisingly complex when you unpack its context. Curator: Indeed. This image speaks to the power dynamics at play between urban and rural spaces and what purposes art could serve within these structures. Editor: Thanks; I'm definitely seeing this work, and art in general, with a fresh pair of eyes. Curator: You're most welcome, and this only scratches the surface.

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