Dimensions: support: 120 x 154 mm frame: 240 x 269 x 60 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Ah, a rather charming little thing. This is "Aldeburgh Beach" by Thomas Churchyard. Editor: It's… surprisingly agitated. The way the brushstrokes capture the frothy waves, it feels almost turbulent despite the small scale. Curator: Indeed, Churchyard, born in 1798, certainly had a knack for imbuing these coastal scenes with a sense of raw energy. Notice how the impasto mimics the texture of the sea. Editor: Yes, the materiality is quite evocative. The boat seems almost stranded, a fragile form against the power of the water. Makes one think about vulnerability. Curator: Perhaps. Or maybe just a quiet moment on the Suffolk coast, observed with a painter's eye. He found beauty in the everyday. Editor: I think it goes beyond simple observation. The muted palette, the dynamic composition...it speaks to a deeper connection with the sea. Curator: Well, whatever it says, it says it beautifully. Churchyard's touch is unmistakable. Editor: It's a piece that stays with you, I must admit. A miniature tempest of emotion.
Comments
http://www.tate.org.uk/art/artworks/churchyard-aldeburgh-beach-t03621
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Churchyard was a county court lawyer, a prolific amateur painter and a collector who lived at Woodbridge in Suffolk. His friends included the poets Edward Fitzgerald and Bernard Barton, a trio Fitzgerald called 'the chief wits of Woodbridge'. Churchyard admired Constable's work and owned several examples of it. His own watercolours and oil paintings, all on a small scale, sometimes reflect this admiration but his work overall exhibits a wide stylistic range. Gallery label, September 2004