Maria met kroon en stralenkrans 1833 - 1880

Curator: Here, we have an engraving of Mary titled "Maria met kroon en stralenkrans," or Mary with a Crown and Nimbus in English. It was created by Auguste Numans sometime between 1833 and 1880. Editor: The first thing that strikes me is the pose – those hands clasped so gently, the downward gaze... it all feels so tender, vulnerable, even. Almost like she's sharing a private moment. Curator: I find myself considering the painstaking labor involved in creating such a detailed print. The lines that give form to her face and robes, the delicate floral patterns, and that incredible radiant halo are each so deliberately etched. Imagine the artist’s patience! Editor: It's interesting, isn't it? We’re accustomed to thinking of religious icons as grand and untouchable, but the realism used here presents a different side. It reminds me more of a human, burdened by destiny perhaps, not entirely unlike us. Curator: Yes, and that realistic touch brings it back to materiality for me. How many prints were made from this one plate? How accessible was it, and how did it circulate amongst people? What stories might it have carried beyond the purely religious? Editor: What lingers with me is that quiet emotion emanating from the paper. Regardless of the medium, it still feels like I'm encountering something truly authentic and sincere. I can still feel its beauty despite the yellowed paper. Curator: Agreed, although questioning its means of distribution to better know the social meaning behind it helps understand and value the message beyond initial impact and assumptions of reverence. Editor: Maybe, and just maybe, beauty can be found when understanding of that work and beauty goes hand-in-hand.