drawing, graphic-art, paper, ink
portrait
drawing
graphic-art
hand written
script typography
hand-lettering
hand drawn type
hand lettering
paper
personal sketchbook
ink
hand-written
hand-drawn typeface
fading type
realism
calligraphy
small lettering
This is a receipt made in Amsterdam on October 22nd, 1885, by Frans Buffa and Sons. It acknowledges a payment of two hundred guilders from Petrus Johannes Arendzen for a 'portrait after Rembrandt'. The receipt is a fascinating glimpse into the art market of the late 19th century, and the institutions that shaped it. Buffa and Sons were a well-known firm of art dealers, who played a significant role in promoting Dutch art, both at home and abroad. The mention of a 'portrait after Rembrandt' raises interesting questions about authenticity, copying, and the market for Old Masters at this time. What did it mean to commission or purchase a work 'after' a famous artist? Was it seen as a homage, a skillful imitation, or simply a way to own a piece that evoked the style and prestige of the original? Perhaps further research into the archives of Buffa and Sons, along with period sales records and exhibition catalogues, could shed light on these questions.
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