Portret van een onbekende vrouw by Robert Farmer

Portret van een onbekende vrouw 1852 - 1870

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photography, gelatin-silver-print

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sculpture

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photography

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historical fashion

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gelatin-silver-print

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realism

Dimensions height 64 mm, width 50 mm, height 110 mm, width 92 mm, thickness 10 mm

Editor: We’re looking at an intriguing photograph, *Portret van een onbekende vrouw*, dating from somewhere between 1852 and 1870. It’s a gelatin-silver print. The woman's somber expression, combined with the formality of the framing, gives the work a weighty, historical feel. What stands out to you about this piece? Curator: The 'weighty, historical feel' you mention resonates with the socio-political context of early photography. Consider that, initially, photography served primarily the bourgeoisie and upper classes. It democratized portraiture but also reinforced existing social hierarchies through the very act of representation. How do you think this plays out in this image? Editor: I see what you mean. Perhaps the woman’s simple dress suggests a certain social standing, though the photograph itself indicates access, right? The frame looks relatively elaborate for such a portrait. Curator: Exactly. The framing and the formal pose were indicators of status and worthiness of being memorialized. Look at the clothing; It isn’t ostentatious but definitely conveys respectability. Can we discern anything else about the public role of women through this portrayal? Editor: It is hard to say for sure; she has the quiet dignity of somebody in a role she expects herself to carry out effectively, a certain level of confidence to bear such heavy clothing and have her portrait taken in this style. She is clearly not a trendsetter! I guess she is conveying the social ideals through clothing. Curator: Precisely. It reveals a particular image of womanhood valorized during the mid-19th century: pious, modest and respectable. The lack of identifiable marks can sometimes reinforce that because it makes that social message broader and more pervasive, rather than restricted to that woman alone. Editor: I had not thought about it this way. Thanks; the way it speaks about a broader cultural expectation and reinforces it for future audiences makes it all make more sense to me. Curator: Yes. Seeing how photographs solidify, publicize, and even perpetuate social structures can offer profound insight into their cultural role.

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