Kop van een hond by Anonymous

Kop van een hond 1854 - 1855

0:00
0:00

lithograph, print

# 

portrait

# 

animal

# 

lithograph

# 

print

# 

dog

# 

realism

Dimensions: height 245 mm, width 343 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, here we have an interesting print: a lithograph titled "Kop van een hond," or "Head of a Dog." It’s thought to have been made sometime between 1854 and 1855, though the artist unfortunately remains anonymous. Editor: You know, I’m immediately struck by its almost soulful quality. The way the dog is looking up...there's a real yearning in its eyes. I feel like I'm catching it in a moment of pure canine hope. Curator: I see what you mean. The upward gaze is certainly suggestive. Dogs have often been represented as symbols of fidelity and vigilance, embodying unconditional love and loyalty, themes deeply embedded in human-animal relationships throughout history. That gaze, then, may signify trust and dependence. Editor: Trust, definitely. And something else too, I think. Maybe expectation. It’s a beautiful study of texture, as well. The softness of the fur is just gorgeous against the almost stark planes of the face. Curator: Yes, the rendering of texture is quite effective, particularly considering it's a lithograph, a medium that often demands a precise hand. The anonymous artist has captured the nuances of the dog's coat rather skillfully. Lithography, during the mid-19th century, offered a means for wider distribution of images, which democratized art to an extent. Perhaps the artist was more concerned with capturing the essence of "dog-ness" than aiming for individual fame. Editor: I love that. "Dog-ness." I'm totally stealing that. And speaking of democratization, it’s accessible, isn't it? I mean, anyone who's ever owned a dog can instantly connect with this image, that specific angle, that look they give you right before you crack and give them a treat. Curator: Indeed, the enduring appeal lies, I suspect, in that simple connection. We project so much of ourselves onto these creatures; the artist captured an archetype in its gaze. Editor: Absolutely. Looking at it now, I’m thinking that perhaps every portrait is, in some way, a self-portrait too. This image could really get under your skin, in the best possible way.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.