ceramic, porcelain
decorative element
ceramic
round design
porcelain
vessel
decorative-art
Dimensions: Diam. 23.3 cm (9 3/16 in.)
Copyright: Public Domain
Curator: This object is a porcelain plate, crafted around 1830 by the Worcester Royal Porcelain Company. The detailed work makes it quite a sight, doesn't it? Editor: Absolutely! It has a certain formal austerity offset by opulent gold trim and vibrant color that commands attention. Curator: Let's consider what goes into making something like this. Worcester was known for its specialized division of labor, allowing them to create such exquisite and detailed work. Each plate would pass through numerous hands. Editor: And within that intense production system is also a very strong thread of historical representation; consider the symbolism baked into its decoration, like heraldic emblems of nation and class, which were obviously intended to evoke certain historical narratives. Curator: Precisely. The repeated heraldic motifs around the rim—those intriguing grid-like shapes alongside floral emblems—indicate established rank and possibly wealth. And all that detail hand painted…it would be slow, skilled work for probably low wages. Editor: These images were hardly neutral; the symbolism around royalty and social order certainly reflects, and likely reinforces, hierarchies of the era. Each time someone dined with this plate, they reaffirmed those narratives. Curator: Do you see something inherently different because the same forms can be found everywhere today due to mass production? While the average modern object is more easily consumed, items like this Plate involved the expenditure of an enormous amount of effort. How many work hours equal the monetary expense here? Editor: You've reminded me to think about the immense value placed on symbols, as well as production practices. From my side, I see these forms carry potent cultural memory even in contemporary culture. Curator: The materiality gives clues, for sure. Appreciating it calls for attention to not just surface aesthetics, but the tangible, social dimensions involved in its genesis. Editor: I agree entirely. The imagery combined with your point makes a powerful insight, underlining the history of material effort invested.
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