Bracelet by Anonymous

Bracelet 14th-15th century

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textile, glass, wood

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medieval

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jewelry design

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textile

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round design

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glass

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jewelry

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costume

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wood

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decorative-art

Dimensions 0.6 × 6 × 6 cm (1/4 × 2 3/8 × 2 3/8 in.)

Curator: This beautiful bracelet, crafted sometime between the 14th and 15th centuries, resides here at The Art Institute of Chicago. Editor: It's striking! I'm immediately drawn to the contrasting colours and textures – the smooth dark base against those playfully patterned embellishments. Curator: Indeed. Consider its materials: textile, glass, and wood. The combination points to a society where access to such diverse media wasn't a given, which perhaps tells us about trade routes and economic exchange of the time. Editor: Absolutely. And if we dig into the making process, understanding the labor involved could shift how we perceive its value. Was it crafted by a skilled artisan or mass produced? Each possibility changes its meaning significantly. What was its original purpose, adornment or symbolic? Curator: Considering that this was Medieval times, jewelry such as this also conveyed one's standing in a highly stratified society, gender roles, religious affiliations, and social identities through specific materials, designs, and wearing conventions. Editor: The use of specific types of glass is interesting—was it locally sourced, or indicative of broader trade networks and consumption habits? The wooden component grounds the textile element – did one inform the development of the other? Curator: Those are good questions to ask! Further analysis could reveal if these elements are tied to cultural or political symbolisms, perhaps as a tool for claiming status. Each coloured element might subtly reaffirm beliefs or question conventions. Editor: To me, this object represents the convergence of social factors, and skilled hands manipulating materials, highlighting craft rather than ‘fine art’. It demands recognition not just for its decorative function but as a piece revealing past methods of manufacturing. Curator: I see it a little differently; through wearing, the jewel transcends mere object status and becomes tied up in matters of visibility, desire and performance. But either way, what is fascinating, surely, is how a small artefact evokes huge discussions! Editor: Precisely! And considering materiality and its fabrication alongside broader systems offers richer interpretations, highlighting craft and human interaction.

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