drawing, print, paper, engraving
portrait
drawing
neoclacissism
paper
engraving
Dimensions 451 × 381 mm (image); 480 × 381 mm (plate); 483 × 383 mm (sheet)
Editor: This is Valentine Green’s print "Sir Joshua Reynolds," made in 1780. It's a monochromatic engraving on paper. The textures seem so carefully considered, especially how the light falls across Reynold's robes. What strikes you most about it? Curator: I observe the interplay of light and shadow which sculpts the forms. Consider the subtle gradations across Reynold's face and how the stark contrast defines his garments, a formal academic robe; note also how his face reflects his intellectual rigor. The artist invites us to observe the visual relationships, creating meaning through pure form. Editor: He is very well dressed! How does that influence the reading of this work? Curator: Indeed, Reynolds's attire contributes to the print’s semantic complexity. Look at the material qualities, the draping and the way the form interplays with the implied status. Further, it references back to his persona in conjunction with the figure next to him; do you notice how both are composed of stone-like colors? Editor: That’s a good observation, it seems he's being likened to a notable sculpture. Is it right to say this print immortalizes him as such? Curator: One might be tempted to view the art as a mimesis of this man. Consider though, how the engraving, through line and tone, creates a system that reflects rather than copies. Look closely at the varying patterns which compose texture and reflect a structural code of symbolic weight and meaning to create new connections between his status and artistic ability. Editor: So, it’s about looking beyond the surface and understanding the relationships between elements to understand the artwork's construction? Curator: Precisely. By engaging in this exercise of deconstruction, we aim to approach a new, higher understanding. Editor: I've definitely gained a deeper understanding today about how an artist like Valentine Green portrays Sir Joshua Reynolds and his practice. Curator: Yes, through close visual inspection, we come away with much more than when we started.
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