Beaker with the Three Magi by Egbert Loessinck

Beaker with the Three Magi 1652 - 1653

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carving, silver, metal

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carving

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silver

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baroque

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metal

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decorative-art

Dimensions: height 23.0 cm, diameter 14.0 cm

Copyright: Rijks Museum: Open Domain

Editor: This striking object is a silver beaker crafted between 1652 and 1653 by Egbert Loessinck, titled "Beaker with the Three Magi." It has an undeniably Baroque flair and the intricate carvings covering the metal surface really catch the eye. What visual elements stand out to you the most? Curator: I am immediately drawn to the rigorous structural organization of the piece. The cylindrical form of the beaker itself acts as a primary visual anchor. Consider how Loessinck has carefully delineated space using the engraved lines; notice how the bottom presents ornate detailing which supports the smooth polished finish of the vessel’s lip. These contrasts work to achieve structural balance. Editor: Yes, I see that now. The details on the base definitely contrast with the cup itself. What do you think about the figurative scene depicted? Curator: Indeed. Observe how the depiction of the Three Magi is not simply representational. It becomes an integral element within the overall compositional framework. The narrative scene is almost like an armature about which other ornamentation hangs, directing our eyes throughout the piece. Does it feel unified in this way? Editor: It does! It’s not just a pretty picture; it's contributing to the whole form. I didn't think about it that way. It seems more intentional now, not just decorative. Curator: Precisely. Through considered compositional choices and meticulous technique, the work transcends mere functionality, achieving a harmonious visual language all its own. Editor: That is true. Now I understand the artist's vision to a greater extent. It has truly been enriching to scrutinize this "Beaker with the Three Magi". Thank you!

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

Judging from the decoration of this beaker, it is clear that the rendering of ornamental detail calls for different skills than the engraving of scenes. The ornament and the festoons of fruit on this beaker look almost three-dimensional, while the figural scenes appear somewhat stiff and flat. The engraver suggested shadows by combining incised lines and crosshatching of differing depths and varied spacing.

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