Salvator Mundi c. 19th century

Editor: This is Antonio Dalcò's "Salvator Mundi" from the Harvard Art Museums. It's a striking image, and the softness of the print gives it an almost ethereal quality. What stands out to you about this piece? Curator: As a materialist, I immediately think about the engraving process. Consider the labor involved in producing multiple copies, and how this brings religious iconography to a broader audience, influencing its consumption and perception. Editor: That's a side I hadn't considered. So, it's not just about the image itself, but the means of its distribution? Curator: Precisely. The material and method of production are just as important as the subject matter. How does the mass production alter the perceived value, the aura, of this sacred figure? Editor: I see. It changes the context completely. Thanks, that's a really interesting perspective.