Mondnacht, from Intermezzi, plate 4 by Max Klinger

Mondnacht, from Intermezzi, plate 4 1870 - 1920

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drawing, print

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pencil drawn

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drawing

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shape in negative space

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light pencil work

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snowscape

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print

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pencil sketch

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human-figures

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landscape

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charcoal drawing

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pencil drawing

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mountain

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human

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pencil work

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tonal art

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remaining negative space

Dimensions plate: 16 9/16 x 11 13/16 in. (42 x 30 cm) sheet: 20 11/16 x 16 9/16 in. (52.5 x 42 cm)

Max Klinger etched "Mondnacht," or "Moonlit Night," as plate four of his "Intermezzi" portfolio. The prominent figure of the reclining nude invites us to explore themes of vulnerability and introspection set against the sublime backdrop of nature. The reclining figure, a motif that echoes through art history from classical antiquity to the Renaissance, evokes a sense of timelessness. Think of the sleeping Ariadne, abandoned on Naxos, or Titian's Venus of Urbino. Here, Klinger presents a modern interpretation, set not in a pastoral idyll but against a rugged landscape. This contrast creates a powerful tension. The nude figure, traditionally a symbol of beauty and serenity, is placed in a wild, almost foreboding natural setting. It's as if the artist is exploring the complex relationship between humanity and the uncontrollable forces of nature, reminding us of our fragile place in the vast cosmic order. This image engages our deepest subconscious anxieties and yearnings for connection, a potent example of how art can tap into our collective memory.

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