Os bij een hek c. 1843 - 1864

Editor: Here we have "Os bij een hek," or "Ox by a Fence," a pen and ink drawing by Wouter Verschuur, dating from around the mid-19th century. It's remarkably simple; the stark black lines create a high contrast, focusing all our attention on the subject. What can you tell us about how its construction informs its meaning? Curator: Indeed. Note the artist's strategic deployment of line. Observe how the density of hatching defines the animal's form. There's a palpable tension between the meticulous rendering of the ox's head and the more cursory treatment of the fence, isn’t there? Consider how this contrast directs the viewer's gaze. Editor: I hadn't thought of it that way! It's like the rest of the world is fading away to leave the ox by itself. Does that purposeful imbalance of detail suggest a particular interpretation? Curator: It draws the eye directly to the textures and tonal modulations on the ox's face and, to some extent, its coat. Also consider the interplay of positive and negative space. See how the white of the page around the dark lines creates a stark contrast. It elevates a common farm animal. The texture becomes more engaging, right? Editor: Right! Is Verschuur making a statement about the beauty, even the dignity, of livestock? Curator: Precisely. Furthermore, note the composition; the ox's head is neatly placed according to the golden ratio. It is a deliberate visual harmony, even though it looks quick and casual, elevating the humble beast into an object of refined contemplation. What did you make of Verschuur’s script at the bottom? Editor: Oh yes - it’s his quick note! The composition elevates, but the artist also needs to keep it real. So in fact it’s the golden mean at play… Curator: A rewarding insight. I had not quite seen it in those terms!