Skovskaden (Garrulus) by Albert Flamen

Skovskaden (Garrulus) 1620 - 1669

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drawing, print, etching, ink, engraving

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drawing

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ink drawing

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print

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etching

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landscape

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ink

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genre-painting

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engraving

Dimensions: 96 mm (height) x 202 mm (width) (bladmaal)

Curator: What a flurry of avian activity! This etching by Albert Flamen, titled "Skovskaden (Garrulus)," likely created between 1620 and 1669, is a remarkable study of birds in their habitat. The lines are so fine, capturing a real sense of movement. Editor: It gives off this sense of light, playful anarchy. A feeling heightened by the black-and-white. I see a group of jays having a bit of a squabble. It almost looks as if one is lecturing another, or perhaps challenging him in some way. What do you make of the setting? Curator: The landscape element is important. Flemish art often uses depictions of nature, specifically birds, to subtly address ecological harmony. It creates an artistic narrative. One where nature takes center stage as this powerful protagonist, beyond the dominion of human beings, something truly radical for the 17th century. The image hints towards a larger conversation about man's relationship with the natural world. Editor: Yes! It all stems from this visual language developed in the Renaissance – the bird itself has long symbolized so many things, freedom, the soul, and in some contexts even divinity. The open wings remind of the holy spirit, perhaps with a tinge of irony here given the confrontational setting! Are these jays fighting over territory? Food? Love? It adds an exciting tension and timeless relevance to a common scene. Curator: The original context in which this piece was created, taking into account its production costs, implies this piece was destined for the home of the bourgeoise. In what ways would the merchant family who possessed it have been moved by it? Would it make them contemplate their sins? Perhaps inspire awe or promote the subjugation of nature? We will never be completely certain but its purpose would certainly extend beyond a simple domestic ornamentation. Editor: Well, this close look has made me consider these familiar images with new eyes. This avian snapshot seems like a small window into a larger drama. Curator: Precisely! It allows one to appreciate Flamen’s capacity to embed societal discourse within the seemingly mundane, inviting ongoing dialogues about human interactions with our planet.

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