On the Way to Karbala 1989

Erol Akyavaş created "On the Way to Karbala," an evocative image filled with rich symbolism. Dominating the composition is the river, a motif resonating with life and spiritual journeys. Rivers have always served as potent symbols across cultures, representing the passage of time, the flow of life, and the journey from one state to another. Here, the river winds its way towards what appears to be a fortress or sacred enclosure. This reminds us of the recurrent motif of walled cities in ancient art. The city often represents civilization, safety, and spiritual enlightenment, but also exclusion. Consider how similar walled structures appear in Renaissance paintings, like those of Fra Angelico. These spaces echo the subconscious desire for order and protection, reflecting our deepest fears and hopes. The contrast of fluidity and rigidity can also represent the eternal conflict between chaos and order. It evokes profound emotions in us, connecting us to the collective human experience of seeking safety and understanding life's journey. This symbol's non-linear progression continues as it evolves, reappearing throughout history with renewed significance.