Portret van een jonge man in kostuum met degen, aangeduid als J. Bake by Jan Goedeljee

Portret van een jonge man in kostuum met degen, aangeduid als J. Bake 1860 - 1905

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print, photography

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portrait

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print

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photography

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historical photography

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19th century

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genre-painting

Dimensions: height 83 mm, width 52 mm

Copyright: Rijks Museum: Open Domain

Curator: This fascinating photograph, taken sometime between 1860 and 1905, is titled "Portret van een jonge man in kostuum met degen, aangeduid als J. Bake"—or, in English, "Portrait of a young man in costume with a sword, identified as J. Bake". Editor: It strikes me immediately as something theatrical. The pose, the costume... a touch melancholic, too, perhaps. Curator: Absolutely. He’s styled in what appears to be 17th-century garb—note the puffed sleeves, the wide ruff, the feathered hat. Photography at this time was becoming more accessible, but staging these elaborate scenes indicated a level of societal presentation and image construction. It says something about identity. Editor: Right, a deliberate performance for the camera. What interests me is this assumed identity of "J. Bake". This isn't a simple record; it feels more like creating a cultural memory. Why this particular costume? What does this chosen persona reveal or conceal about his actual self, within the social confines of the time? Curator: Costumes throughout history have been ways of appropriating cultural meaning. Is he playing a role? What does it mean? Perhaps he's drawn to an era perceived as more romantic, more heroic? The sword, in particular, lends itself to archetypes of power, or maybe just playing the role. Editor: I can see the influence of historical genre paintings here—very much in line with the taste for dramatized history that was popular then. Museums themselves became stages for understanding these moments of greatness. The way he stands there, with the slightly faded background— it’s like looking into another time through an institutional lens. Curator: It does highlight the evolving function of portraiture—not just about likeness but about aspiration. This print becomes a vessel for something more profound— dreams, self-fashioning, maybe even escape. It reminds us of the stories we project onto images, and vice-versa. Editor: Exactly. And how those stories continue to resonate, shift, and morph as they're viewed across generations. Fascinating to consider all that's present here, within such a quiet photograph.

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