The View from the Batavian Embassy in Paris by Josephus Augustus Knip

The View from the Batavian Embassy in Paris 1801

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painting, oil-paint

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neoclacissism

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painting

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oil-paint

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landscape

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perspective

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cityscape

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history-painting

Dimensions: height 97 cm, width 129.5 cm

Copyright: Rijks Museum: Open Domain

Curator: "The View from the Batavian Embassy in Paris," painted in 1801 by Josephus Augustus Knip, presents a fascinating cityscape rendered in oil. What’s your initial impression? Editor: The prevailing muted tones give the scene a calm and restrained feel. It’s as if the painting itself is breathing slowly, focusing more on precise depiction than passionate expression. Curator: I’m drawn to how the embassy itself, the supposed focal point, speaks to shifts in power and diplomacy. Remember, the Batavian Republic was essentially a French client state—this view reflects that social and political fabric. Editor: Absolutely. The receding lines, the careful arrangements of buildings—all construct a harmonious, classical composition. It embodies Neoclassical ideals, prioritizing order and reason. But, I am a little distracted by the haze. It almost obscures the building. Curator: Well, let's consider the labor. The pigment mixing, canvas preparation… the materiality inherent in producing such a detailed landscape is very physical, an effort made on behalf of political vision. This piece captures a fleeting moment of political arrangement, a view for the diplomats that involved labor in all aspects, physical and mental, from the painter, to the embassy employees who worked at the seen site. Editor: That subdued palette also minimizes strong emotional response. Look at the balance. The river bisects the scene, a mirroring effect is reinforced by the horizontal lines of the architecture. There is, indeed, much to digest here. Curator: And we cannot forget who was excluded from that "harmony." The painting promotes an idealistic and elite vision that papers over real inequalities. Who truly benefitted from this carefully constructed perspective? Editor: An important point, though, I can appreciate, and you as well, surely, that the very flatness of the brushwork— contributes to that emotion. Curator: True enough, perhaps seeing that the materials and techniques speak to both intention and a wider economic reality, provides greater meaning. Editor: Indeed, together we arrive at richer insight.

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rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

Rutger Jan Schimmelpenninck, the Dutch ambassador in Paris, commissioned Knip to make a series of paintings of the Batavian embassy, the Hôtel de Beauharnais. This is the view from the embassy, towards the two identical facades of the Hôtel de la Marine and the Hôtel de Crillon on the Place de la Concorde. An optical telegraph is visible at right atop a gabled roof, while another one can be seen in the far right distance, on Montmartre. Such enabled contact between Paris and the Netherlands.

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