Morning Glory c. early 19th century
watanabenangaku
minneapolisinstituteofart
hanging-scroll, ink
abstract painting
water colours
pottery
japan
possibly oil pastel
handmade artwork painting
hanging-scroll
ink
underpainting
painting painterly
watercolour bleed
watercolour illustration
watercolor
Watanabe Nangaku's "Morning Glory" from the early 19th century is a striking example of Japanese *kaiga* painting. It showcases the artist's mastery of brushwork, depicting a delicate vine of morning glories with exquisite detail. The delicate blue flowers and vibrant green leaves are set against a pale background, enhancing their beauty. The addition of two butterflies adds a sense of movement and whimsy to the composition, highlighting the cyclical nature of life and the passing of time. The painting, currently housed at the Minneapolis Institute of Art, exemplifies Nangaku's signature style, which blends traditional techniques with his own unique artistic sensibility.
Comments
In Japan, morning glories are called asagao, or “face of the morning,” in reference to the fleeting beauty of a woman’s face in the morning. The plant was originally brought to Japan from China as medicine, but the beauty of their blooms soon captivated aristocrats, who wrote poems about the flower. In the 1800s, morning glories became popular among casual and professional gardeners who actively bred them for natural mutations. Watanabe Nangaku studied painting under Maruyama Ōkyo, who was interested in the study of and depiction of nature. Here, he shows the morning glory from shifting angles and the subtle differences in color of the vines.
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