Cover of the -Album d'estampes originales de la Galerie Vollard- 1897
lithograph, color-lithograph, print, poster
art-nouveau
water colours
lithograph
color-lithograph
intimism
poster
watercolor
Dimensions: 23 13/16 × 34 5/8 in. (60.48 × 87.95 cm) (sight)31 3/4 × 41 3/4 × 1 1/2 in. (80.65 × 106.05 × 3.81 cm) (outer frame)
Copyright: No Copyright - United States
Pierre Bonnard created this color lithograph, the cover of the "Album d'estampes originales de la Galerie Vollard," in 1897. A feline figure dominates the scene. Its arched back and playful interaction with a ball of yarn evoke a sense of domesticity but also something more primal. The cat—a motif stretching back to ancient Egypt, where it was revered—often embodies independence, mystery, and a certain aloofness. Consider how the cat appears in countless works of art throughout history, from medieval tapestries to Manet's paintings, each time imbued with varying degrees of symbolic weight. Here, the cat's presence, combined with the scattered prints, evokes a personal, intimate glimpse into the world of art. But beyond its cultural symbolism, the cat also touches something deeper within us. Its fluid movements and enigmatic gaze stir our subconscious, reminding us of our own hidden instincts and desires. It's a primal connection that transcends time, inviting us to reflect on the ever-evolving relationship between humanity and the animal world.
Comments
A prominent French painter, sculptor, and printmaker of the late nineteenth and early twentieth centuries, Pierre Bonnard demonstrated a deep commitment to the graphic arts as evidenced in his extensive oeuvre of editioned prints, illustrated books, and other publications. Among these varied works is this delightful lithographic album wrapper featuring a domestic interior with an assortment of fine art prints casually spread across a wooden table. Though he included no people, Bonnard activates the scene by including a playful house cat who strolls across the table and paws at a crumbled piece of paper. When folded vertically at the center, the oversize lithograph served as the outer wrapper for Ambroise Vollard’s second "Album d'estampes originales" (Album of Original Prints). Bonnard positioned the publication’s title and date on the right-hand side of the composition, thus assuring it would be centered when the sheet was folded. Vollard was the foremost publisher of prints and illustrated books in late nineteenth- and early twentieth-century Paris. Along with Bonnard, he worked regularly with such prominent artists as Edouard Vuillard, Georges Rouault, and Pablo Picasso.
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