Reclamekaart van A. Sinkel met Japanse vrouw by Mathieu Lauweriks

Reclamekaart van A. Sinkel met Japanse vrouw 1874 - 1935

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blue ink drawing

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childish illustration

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cartoon sketch

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personal sketchbook

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sketchbook drawing

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watercolour illustration

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cartoon style

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storyboard and sketchbook work

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cartoon carciture

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sketchbook art

Dimensions: height 212 mm, width 135 mm

Copyright: Rijks Museum: Open Domain

Editor: This is an advertising card from A. Sinkel featuring a Japanese woman; it was created sometime between 1874 and 1935. I'm immediately drawn to its simplicity, the almost cartoonish quality. It feels very stylized. What do you make of it? Curator: It whispers a story of cultural exchange, doesn’t it? A Dutch company using Japanese aesthetics to sell its wares. I see a confluence of worlds – the precision of Japanese woodblock prints blended with the direct, commercial needs of a European advertiser. There’s a deliberate flattening of perspective; do you notice how it almost feels like looking at a playing card? It's a distilled essence of Japan, perhaps a romanticized version. And tell me, what kind of feelings does that palette evoke in you? Editor: I get a sense of calm, but also a feeling of something slightly…artificial? I suppose that comes from knowing it's an advertisement, selling a vision of the "exotic." Curator: Precisely! That tension between serenity and artifice is where the real story lies. This image acted as a kind of portal for consumers. And that name, “A. Sinkel” written right there, a bold statement in the landscape of delicate floral motifs. Editor: So, it's about more than just a pretty picture? Curator: Always. It’s about desire, aspiration, and the fascinating dance between cultures when commerce enters the stage. It makes me wonder, what did people truly *see* when they looked at this? Editor: I never thought of it that way before. Now I see layers that were invisible at first glance! Curator: That’s the magic, isn’t it? A simple image, holding within it a whole universe of ideas. It almost has you looking at commerce like poetry.

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