Sencha cup with poem c. 19th century

Editor: So, this is a sencha cup with poem, made of earthenware around the 19th century by Ōtagaki Rengetsu. The simple shape and earthy tones give it a sense of rustic charm. What are your thoughts when you look at this cup? Curator: My interest lies in understanding the labour and material circumstances of its creation. Earthenware, a common material, is transformed here, suggesting accessibility. However, Rengetsu's integration of poetry onto the cup elevates it beyond mere utility. The act of inscribing text becomes a critical part of its creation and function, doesn’t it? Editor: That’s true! The inscription adds another layer of meaning to the cup. Curator: Precisely. Consider Rengetsu’s position in society as a Buddhist nun and artist. Did she craft these cups independently, controlling all aspects of their production, or did other hands assist in some processes, influencing the final piece? Was the creation individualistic or social? Also, who was it intended for? And how might the poem intersect with the experience of drinking tea? Editor: That's fascinating! Thinking about the labor behind it, it makes you consider if she considered this high art or more a functional craft? I wonder what her intention was behind making this piece... Curator: Absolutely, the traditional high/low art dichotomy crumbles under materialist scrutiny. The purpose behind it affects its cultural position significantly. Reflecting on production, consumption, and its function gives us so much to ponder! Editor: This gives me so much more to think about than just appreciating its aesthetics! Thanks for your time. Curator: My pleasure. The object holds many narratives when you consider these various perspectives.