Portret van een onbekende jonge vrouw, en profil naar links by Jean Bernard

Portret van een onbekende jonge vrouw, en profil naar links 1775 - 1833

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drawing, pencil

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portrait

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pencil drawn

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drawing

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pencil sketch

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caricature

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pencil drawing

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pencil

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portrait drawing

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academic-art

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realism

Dimensions height 125 mm, width 110 mm

Curator: Here we have “Portret van een onbekende jonge vrouw, en profil naar links,” or “Portrait of an Unknown Young Woman, in Profile to the Left” by Jean Bernard. It's rendered in pencil and paper sometime between 1775 and 1833. What do you make of her? Editor: There's an undeniable softness. The simple lines evoke a sense of gentle observation, almost as if the artist were capturing a fleeting moment. But something about the bonnet feels… towering, doesn’t it? Like a statement piece of modesty. Curator: Indeed! The severe profile creates an interesting juxtaposition with the woman's youth. Note how Bernard employs hatching to render volume and shadow, lending a lifelike quality. What's particularly intriguing is how the stark, academic lines meet an almost… dreamy sensibility. Editor: You’re right about the precision—it’s clear Bernard had formal training. But for me, it’s also about absence, isn't it? We’re looking at a ghost of a person, or perhaps a study left unfinished. Her averted gaze enhances this mystery, compelling us to fill in the blanks of her story. Curator: I like that interpretation! It prompts me to think of portraits, then and now, as curated projections, or constructed gazes. Maybe, that so-called ‘absence’ reveals more about the society, and what could, and couldn’t be said by and about women. Editor: Exactly! I think we read that complexity so effortlessly because Bernard was so clever to weave these competing ideas into something so straightforward. She's an enigma precisely because of the seeming simplicity of line. Curator: Precisely, what's remarkable here is Bernard’s ability to capture character through economy. It is almost as if, without color or much shading, Bernard still brings forward something true, something unvarnished. Editor: A testament to how sometimes, the simplest forms can be the most evocative. This work continues to subtly challenge us to reflect on identity, presentation, and the stories held in silent profiles.

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