Rotunda of San Tomè, Bergamo, Italy 1100

Curator: At first glance, this structure strikes me as imposing, solid – an architectural testament to durability. Editor: Indeed. What we’re viewing here is the Rotunda of San Tomè, in Bergamo, Italy. It’s a prime example of Romanesque architecture dating back to the 12th century. A powerfully symbolic, historical artifact. Curator: Absolutely, its circular plan immediately brings to mind ancient Roman temples – a direct visual quotation legitimizing the church’s power through historical association. What resonates for you when viewing it through that lens? Editor: Circular structures are so interesting. The circle implies both wholeness and boundlessness. This building merges pre-Christian notions of divinity with Christian iconography like the cross above, hinting at how the new faith absorbed earlier mythologies and gave it a completely fresh spin. Curator: Exactly. Built atop pre-existing Roman structures, San Tomè represents a tangible manifestation of power structures shifting and adapting through time. But the building’s gendered implications are equally worth exploring. It makes me think about who would have experienced this building throughout history. Who did it serve? Editor: A pertinent question. The imposing circular form might also convey that sense of encompassing “protection” traditionally assigned to idealized forms of motherhood and the cult of female goddesses which it seems to echo here in an architectural feat! Curator: Interesting—while its solidity undoubtedly communicated power and stability, the limited access might point towards more secluded, private religious experiences or a monastic environment where patriarchal structure would greatly limit the influence and presence of any female power within it. Editor: But notice that despite those formidable walls, the details offer a kind of humanistic accessibility, no? Small rounded arches above its tiny windows soften its profile, implying the promise of light from another world! I find a certain serenity emanating from its modest and contained design which echoes back into time. Curator: You’re right—even with those thick stone walls, its circular form inherently invites you in, despite everything it must keep outside of its parameters. Overall, an impactful example of how architectural spaces can embody societal forces, spiritual quests and how gender, power, and religion all intertwine. Editor: Agreed, delving into such a symbol rich structure always sparks fascinating insight into centuries past – making visible those narratives deeply ingrained in our cultures and identities.