Eagle c. 1937

Editor: So, this is Frances Cohen’s "Eagle," dating back to around 1937. It’s rendered in watercolor, gouache, and drawing on wood. There's a real sense of presence about it – the eagle’s gaze feels very direct. I'm struck by how its form has an almost uncanny resemblance to an older nautical figurehead. How do you see this piece fitting into its historical moment? Curator: That’s a fantastic observation! Given the timeframe, right around the late 1930s, and the subject matter, I think it’s really vital to look at how national symbolism was being employed, particularly the role of the eagle. In the United States, especially during the Depression era and the lead-up to World War II, there was this increased emphasis on national identity and strength, right? How do you feel the choice of medium might contribute to its message? Editor: That makes perfect sense. I suppose the use of watercolors and gouache, along with the wooden support, suggests a kind of... craftsmanship, almost folksy? The wood specifically makes it feel like its referencing an older tradition. Does that resonate? Curator: Precisely! And it’s fascinating to see how this intersects with the renewed interest in American art and regionalism. Artists were looking back to earlier American traditions to establish a distinct national artistic identity, consciously and unconsciously shaping how art and national ideals intertwine. Think about the public art projects of the WPA. What impact might federal arts funding have had on artwork such as this one? Editor: Hmm, maybe Cohen felt more freedom to celebrate symbols of national pride, without fear of financial insecurity? Curator: Exactly. It creates an interesting tension between individual expression and national messaging, doesn't it? And this makes the drawing and the symbolism behind it far more rich in political undertones. Editor: That's given me a whole new perspective on this piece. Thank you. I’m off to investigate WPA art projects and nautical figures! Curator: My pleasure. It is through looking into our socio-political environment, its imagery and institutions, that art from the past reveals so much.