Udsigt fra et vindue ved Lungarnoen over floden mod Santo Spirito og San Miniatohøjderne, Firenze by Edvard Weie

Udsigt fra et vindue ved Lungarnoen over floden mod Santo Spirito og San Miniatohøjderne, Firenze 1923 - 1924

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drawing, pencil

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drawing

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landscape

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etching

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pencil

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modernism

Dimensions 208 mm (height) x 282 mm (width) (bladmaal)

Editor: We're looking at "View from a Window on the Lungarno over the River towards Santo Spirito and the Hills of San Miniato, Florence" by Edvard Weie, drawn around 1923-1924. It's a pencil drawing that feels like a quick sketch, capturing a moment. What catches your eye about this particular landscape, and what do you think Weie was trying to communicate? Curator: Ah, Florence! This piece is intriguing because it's so unpretentious, isn't it? It feels like stepping into Weie's visual diary. What I love is how he uses the window frame – implied, of course – as a filter. He’s not just showing us the view; he’s showing us *his* view, mediated by architecture, by his own mind. Notice how the bridge arches seem to echo the curves of the hills in the distance, creating a kind of visual harmony. It's less about a photographic representation and more about feeling the essence of the place. What do you think about the areas he left so bare and minimal? Editor: It gives it a sense of openness, of potential. It's not a complete picture, but rather a suggestion, inviting the viewer to fill in the gaps. Curator: Exactly! It’s like Weie’s saying, “Here’s what I saw; now, what do you see?” It speaks to the very nature of perception – subjective, incomplete, always in progress. And I love those scribbled notes on the left; it adds a whole other dimension. Was he planning another painting or maybe just recording observations from a single beautiful moment? Editor: So, it's less about the specifics of Florence and more about the act of seeing itself? Curator: Precisely! The genius here isn’t in the accuracy of the depiction, but in the honesty of the impression, like catching lightning in a bottle. Don't you agree? Editor: I completely see it now. I had initially dismissed it as just a simple sketch, but I see how Weie has infused it with his unique perspective and a broader commentary on how we perceive the world around us. It's incredible what can be communicated through such a seemingly simple medium.

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