Ontwerp voor raam in het Zuidertransept van de Dom te Utrecht 1878 - 1938

Richard Nicolaüs Roland Holst created this design for a window in the Utrecht Cathedral, likely in the early 20th century, using chalk and graphite. The composition is dominated by a fragmented, geometric depiction of a bearded figure, reminiscent of stained glass. Earthy browns and muted yellows create a somber, contemplative mood. The figure's face is dissected by bold lines, a technique that echoes the structural logic of stained glass yet disrupts traditional portraiture. This fragmentation pushes beyond mere representation. Holst seems to be exploring how identity can be both constructed and fractured through visual means. The lines function almost as linguistic signs, suggesting that identity is not a fixed entity, but a series of constructed elements. Notice how the geometric structure emphasizes the artificiality of representation. The artwork challenges the viewer to consider how meaning is constructed, piece by piece. It’s a compelling interplay between form and concept, inviting us to deconstruct our understanding of both art and identity.