Dr. John Fothergill (1712-1780) after 1781

Curator: This is Wedgwood's portrait medallion of Dr. John Fothergill, a small, delicate piece from the late 18th century. Editor: It has this stark, neoclassical coolness. Like a cameo, it’s very proper, very…controlled. Is that the intended feeling? Curator: Wedgwood was a master of ceramic production and a pioneer in industrializing art. His jasperware allowed for mass production and distribution, democratizing portraiture. Editor: Democratizing! Even this seemingly pristine profile speaks to broader accessibility. Curator: Exactly! Think about the social implications. These medallions were part of a burgeoning market, connecting consumers with images of prominent figures. Editor: I keep returning to the controlled elegance of the piece. Curator: Ultimately, it's a testament to Wedgwood’s innovative approach to art and manufacturing, making art available to a wider audience. Editor: It's interesting to think about how such an object can contain so much more than just a likeness.