Drie foto's van de tuin van Villa Tritone, Sorrento 1949 - 1950

Editor: Here we have Norbert van den Berg's "Three Photos of the Garden of Villa Tritone, Sorrento," taken between 1949 and 1950, captured in black and white photography. The image is striking with its series of archways and gardens, almost like glimpses into another world. What stands out to you in these images? Curator: The archways, draped with vegetation, certainly create a powerful visual language. Consider the symbolic weight of a garden itself - traditionally representing paradise, a retreat, or even a sacred space. And within that space, the archway functions as a threshold. Does it not suggest a transition, a rite of passage? Notice how the eye is led through each frame, deeper into this seemingly private realm. Editor: That's a great point about the symbolism! The repetition of the archway does give the feeling of moving into a sacred or private area. I guess the eye is moving from darkness into light too, since the figures at the far end are illuminated? Curator: Precisely! Note also how the black and white medium elevates the play of light and shadow, amplifying the symbolic contrast. Ask yourself, what is being revealed, and what is being concealed? Also, what does it mean that the classical statues are present? Do they represent another passage? Or is something being remembered here? Editor: That contrast really emphasizes the sense of mystery and also suggests a longing for the past. What kind of "cultural memory" might van den Berg be referring to? Curator: He perhaps intends the classical ideals – harmony, order, beauty – embodied by the statues and formal garden design, juxtaposed with the encroaching natural world, or with the recent ravages of WWII. It begs the question, is humanity tending the garden of civilization, or is the garden reclaiming it? Editor: I see. The formal and natural in tension! I hadn't considered how photography also plays into "memory". This gives me a lot to consider. Thanks! Curator: My pleasure. There is so much layered in such deceptively simple images.