Two Nymphs and Cupid with a Mask with Zodiac Border c. 1790

Curator: Here we have a Wedgwood piece, “Two Nymphs and Cupid with a Mask with Zodiac Border,” created sometime after 1759. It’s quite small, only about 6 centimeters in diameter. Editor: It reminds me of an ancient coin. The circular form and the figures are austere. Curator: Wedgwood was instrumental in blurring the lines between industry and art. Note the zodiac border; it suggests a mass-produced item aimed at a specific astrological market. Editor: But the relief work! Look at the texture and the way the figures emerge from the background. It’s not just about mass production, it's also about craft. Curator: Exactly. Wedgwood managed to reconcile industrial production with fine artistry to appeal to a growing consumer base eager for both novelty and classical refinement. Editor: Yes, and the tension between the smooth surface and intricate design only enhances its appeal. It's both accessible and deeply evocative. Curator: So, an interesting glimpse into 18th-century production and consumption. Editor: Agreed, a beautiful and historically significant object.