Sleighing on the Road by Winslow Homer

Sleighing on the Road 1859

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drawing, print, wood-engraving

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drawing

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print

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landscape

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etching

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genre-painting

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academic-art

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wood-engraving

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watercolor

Dimensions: 5 x 9 7/16 in. (12.7 x 23.97 cm) (image)15 1/16 x 10 5/8 in. (38.26 x 26.99 cm) (sheet)

Copyright: Public Domain

Curator: Winslow Homer's 1859 wood engraving, "Sleighing on the Road," pulled me right in—there's such a sense of forward movement. Like you're bundled up, just about to be whisked away into a blur of frosted air. What's grabbing you? Editor: The density of information; the layers of people and buildings evoke the complexities of a rapidly modernizing America. I find it striking how much human energy—that frantic quality—is packed into such a simple winter scene. Look at the posture of the people on the sledges as compared to the people in the carriage – the carriage riders almost looks like they’re at rest, but maybe they can afford to take the day at a slower pace. Curator: Precisely! And the materials themselves are intriguing. It's just a print, isn't it? Etching and wood engraving—yet he coaxes out this symphony of textures, the snow's gritty sparkle, the horse's warm breath. I'm half expecting to feel the cold! The dogs darting in front seem symbolic of freedom as compared to the rigid and stuffy background, buildings and architecture boxed into frames. Editor: Consider the compositional strategy, too. The high horizon line emphasizes the immediacy of the activity; the horses leap out of the plane in an almost unsettling fashion. Notice also that Homer has placed the working sleigh ride in opposition with the luxurious sleigh in the foreground. I wonder what narrative Homer might be crafting here? The title of this piece “Sleighing on the Road”, speaks to the social dynamics depicted. This juxtaposition must mean something. Curator: Perhaps he’s highlighting the subtle social differences in everyday leisure. It's the little nuances – the tilt of a hat, the cut of a runner – that spoke volumes back then, maybe even now. As a kid who grew up riding in sleighs every winter in upstate New York, it feels very close to lived life, you know? Homer was one-of-a-kind! Editor: Ultimately, Homer's print, whether he intended or not, it has turned into something of a time capsule. That feeling of winter, a shared cultural experience depicted so precisely and with such life. Makes me nostalgic, I’ll say.

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