Dish 1710 - 1711

Editor: Here we have a "Dish" made by Simon Le Bastier, dating from 1710 to 1711. It's crafted from silver, and its smooth, reflective surface is quite striking. The scalloped edges give it an almost organic feel, juxtaposed with the rigid lines around the rim. What's your take on this piece? Curator: This work presents an intriguing study in form and materiality. Notice the undulating rim. This element functions not merely as a boundary but as an active formal component which directs the eye inward, toward the smooth, dished plane. The material—silver—itself, with its reflective capacity, further complicates our apprehension of depth and surface. How do you perceive the play of light on its surface? Editor: I see what you mean! The light definitely accentuates the curvature. Is it common for Baroque decorative arts to utilize light in such a deliberate way? Curator: Indeed. Baroque art often seeks to activate the viewer’s experience through dynamic compositions and the manipulation of light and shadow. This dish, despite its utilitarian nature, participates in this aesthetic. Note how the ridges catch and refract light. What effect does this have on the overall composition, in your opinion? Editor: It almost creates a sense of movement, despite the dish being static. It makes the edges feel less defined, more fluid. I didn't realize something so simple could have such a sophisticated structure! Curator: Precisely. The success of this piece lies in its subtle manipulation of form and material to transcend its function. Its very structure embodies dynamism. Editor: That's really fascinating. I'll definitely look at Baroque decorative arts with fresh eyes from now on! Thanks for pointing out the interplay of light and structure. Curator: My pleasure. It’s through such focused observation that we can begin to unravel the complexities of art.