Portrait of James Hamilton, Earl of Arran, Later 3rd Marquis and 1st Duke of Hamilton, Aged 17 1623
Dimensions: support: 2007 x 1251 mm frame: 2275 x 1513 x 100 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Daniel Mytens' "Portrait of James Hamilton," showing the Earl of Arran at seventeen. The bright red stockings really pop against the otherwise dark palette. What do you see in this piece, with all its tonal contrasts? Curator: Indeed. The chromatic tension is quite striking. Note how Mytens uses the ruff to frame the face, leading the eye to the subtle modeling that defines Hamilton's features. The composition emphasizes verticality, reinforcing a sense of aristocratic bearing through elongated forms. Editor: So, it's less about the person and more about the... painting itself? Curator: Precisely. The surface—the paint, the canvas—becomes the primary site of meaning. Consider how light and shadow articulate the textures, from the velvet doublet to the sheen of the satin sash. It’s a study in contrasts. Editor: Fascinating. I’ll definitely look more closely at the textures from now on.
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http://www.tate.org.uk/art/artworks/mytens-portrait-of-james-hamilton-earl-of-arran-later-3rd-marquis-and-1st-duke-of-hamilton-n03474
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Daniel Mytens trained in the Netherlands and worked in England from 1618. Compared with local artists, he offered a striking naturalism. Hamilton shared an interest in art-collecting with the future king Charles I, whom Mytens painted in a similar pose. In 1623, the date of this picture, Hamilton had accompanied the then-prince Charles to Madrid during his unsuccessful attempt to marry a Spanish princess. Years later, during the Civil War, the royalist Hamilton was beheaded, shortly after Charles himself. Gallery label, July 2024