Petit Breton arranging his shoe, or Landscape at Pont-Aven, Brittany by Paul Gauguin

Petit Breton arranging his shoe, or Landscape at Pont-Aven, Brittany 1888

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painting, oil-paint

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portrait

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painting

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oil-paint

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landscape

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figuration

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oil painting

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orientalism

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genre-painting

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post-impressionism

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modernism

Dimensions 90.5 x 71 cm

Editor: Here we have Paul Gauguin’s "Petit Breton arranging his shoe, or Landscape at Pont-Aven, Brittany," painted in 1888. It's an oil painting, a landscape... or is it a portrait? It has a strangely dreamy feel. What do you see in this piece? Curator: I see a symbolic landscape charged with memory and emotion. The figure, a Breton peasant, is more than just someone arranging his shoe. He's a conduit to the deep-rooted cultural identity of Brittany. Editor: A conduit? Curator: Yes. Notice how Gauguin uses simplified forms and intense, unnatural colors. This isn't about accurately depicting a landscape, it's about evoking a feeling, a connection to the land. The peasant becomes a symbol of that connection. The shoes, too, aren't just footwear. They connect the figure to the earth, to the rhythms of daily life and agricultural work that define his cultural existence. What colors and shapes catch your eye first? Editor: Probably that vivid red field in the background! And the way the trees kind of frame everything. Curator: Precisely! Red is often associated with passion and vitality, but also with sacrifice. And the framing by the trees focuses the viewer's attention, as the trees stand like silent witnesses, perhaps representing past generations or ancestors, overseeing the continuity of the culture. Think about what it meant to be Breton during that time of significant cultural change, resisting Parisian modernity. Editor: So, Gauguin is using this image to communicate something about Breton identity? Curator: Exactly. He’s tapping into a cultural memory, giving visual form to the feeling of rootedness, even as the outside world encroaches. It’s a very powerful and, frankly, romanticized vision. Editor: I never thought about a landscape painting being so tied to identity. It gives me a lot to think about! Curator: And that is the power of symbolism, it encourages you to connect to a deeper cultural story and lived experience through visual elements.

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