Burning of the Houses of Parliament 1836

Editor: Here we have James Tibbits Willmore's "Burning of the Houses of Parliament," a print showing the famous fire. It's quite dramatic. What stands out to you about this piece? Curator: I notice the etching process itself. The aquatint likely allowed for these subtle tonal gradations, mimicking the atmospheric haze. The very act of making multiples democratized access to this spectacle. Editor: So, the printmaking makes it more about production and distribution? Curator: Precisely. It shifts the focus from a unique artistic vision to a shared visual experience, readily consumed by the masses. What do you think of this contrast? Editor: That's a new way for me to consider the social impact of printmaking. Thanks!