print, etching
narrative-art
baroque
etching
figuration
history-painting
Dimensions: height 104 mm, width 117 mm
Copyright: Rijks Museum: Open Domain
Antonio Tempesta etched “Daughters of Anius Changed into Doves” sometime between 1575 and 1630. Here, we see the daughters of Anius in a moment of transformation, becoming doves to escape captivity. Doves, often symbols of peace and purity, are here intertwined with themes of metamorphosis and escape. This transformation speaks to a deeper human desire to break free from constraints, whether physical or emotional. The metamorphosis echoes Ovid, but also the profound transformations found in ancient mystery cults, where the initiate undergoes symbolic death and rebirth. Consider the dove’s earlier association with Aphrodite, the goddess of love and beauty, linking the women to themes of desire and liberation. This emblem has resurfaced through centuries, shifting from religious symbolism to secular motifs, mirroring humanity’s enduring quest for change. It is a visual encoding of humankind's ability to adapt, transform, and transcend.
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