Alexander Tamanyan 1928

Martiros Sarian made this portrait of Alexander Tamanian in 1928 with pencil on paper. It is a quick sketch capturing the architect in profile. Sarian's choice of pencil is important here; its directness allows for immediacy. The hatching and cross-hatching, rapidly applied, create volume with just a few strokes. The soft graphite translates the architect’s features with surprising detail. The medium of pencil on paper is typically associated with preparatory sketches and studies, rather than finished works of art, offering an intimate glimpse into the artist’s process and his spontaneous response to Tamanian’s presence. It is a humble material, and reminds us of the importance of drawing as a fundamental skill of both the artist and architect. It underscores the direct connection between hand, mind, and the built environment. Thinking about materials and making allows us to see how Sarian elevates this simple medium through his skill, blurring the boundaries between craft and fine art.