Nativity 16th-17th century

Editor: Here we have Johann Sadeler's "Nativity," a print from around 1600, housed at the Harvard Art Museums. It feels very theatrical to me, with all these figures gesturing dramatically. What do you make of this scene? Curator: I see a tapestry of symbols deeply rooted in cultural memory. Notice how the broken architecture contrasts with the vibrant, living tree behind Mary and Joseph. Editor: What does that juxtaposition mean? Curator: The ruined building signifies the old order, now superseded. The tree, laden with leaves, symbolizes a new life, a fresh start, and the promise inherent in the Nativity narrative. Does that resonate with you? Editor: It does. It’s like the print is saying that even in decay, there's always hope for renewal. Thanks for pointing that out! Curator: You’re welcome. The image shows us that symbols are potent tools, always shaping how we understand our world.