Grafmonument van Stanislaus Leszczyński, koning van Polen, in de Église Notre-Dame-de-Bonsecours te Nancy before 1896

This print depicts the funerary monuments of Stanislaus Leszczyński and Catherine Opalinska, located in the Église Notre-Dame-de-Bonsecours in Nancy. Notice the dominant presence of angels, winged celestial beings that have traversed centuries. Their role as intermediaries between the divine and earthly realms dates back to ancient Mesopotamia, with the "Sukkal" figures. The angel embodies divine protection and guidance. Observe how in Catherine's tomb, the angel gently supports her soul. In Stanislaus' tomb, the angel appears to be comforting or mourning. Consider how the depiction of angels varies across cultures—from the imposing figures of the Old Testament to the cherubic forms in Renaissance art. These visual representations evoke a sense of reverence and emotional connection to the divine. Each era imbues the angel with its cultural values, yet its fundamental role as a messenger of hope remains. This symbol evokes not only religious faith, but also collective memories and a sense of spiritual continuity.