Morning in a City 1944

Edward Hopper, sometime in the 20th century, made this painting titled 'Morning in a City’ with oil paint, which is such a gorgeous, versatile medium. There's something about the way Hopper blends the interior and exterior spaces with this muted palette that feels so contemplative. The texture of the paint here is smooth, almost velvety, especially on the walls, where it absorbs the light. But notice those bold, confident strokes defining the figure’s back and the folds in the towel. The way the light catches her skin, the subtle gradations of tone, it's all so carefully observed. You can almost feel the coolness of the morning air. This piece reminds me a little of Fairfield Porter, another painter who found beauty in everyday moments. They both capture a sense of quiet solitude that invites us to slow down and really look. Hopper’s work, like all great art, is less about providing answers and more about posing questions. What is the woman looking at? What’s she thinking about? It’s all up for grabs.