Illustration to Odyssey by John Flaxman

Illustration to Odyssey 1793

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drawing, ink

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portrait

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drawing

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narrative-art

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neoclassicism

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pen illustration

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book

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line drawing illustration

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line art

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ink line art

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ink

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line

Copyright: Public domain

Editor: So, this is "Illustration to Odyssey," made in 1793 by John Flaxman. It’s an ink drawing, and I’m immediately struck by the stark simplicity of the lines. The figure almost floats on the page. What's your take on this, what am I missing? Curator: Ah, yes, Flaxman. A fellow with a love for clean lines and epic tales. This isn't just a simple illustration, darling. It's Neoclassicism distilled. Can you see how he strips away all the frills and fuss? He's reaching back to what he believed was the pure, unadorned spirit of ancient Greece. Tell me, what does the term "line of beauty" suggest to you when viewing this drawing? Editor: I suppose, I notice there’s a deliberate emphasis on clarity, like he’s aiming for an idealized form. I get that he’s making a clear visual reference to Greek art. Curator: Precisely! Flaxman used very few lines to create the character, yes? It’s not exactly teeming with realism; more of a gesture toward an archetype. What might Flaxman have been telling us, creating artwork using an archetypical rendering? Editor: Well, the illustration captures a sense of timelessness, a style reminiscent of ancient vase paintings. How can the simple forms tell such an epic tale? Curator: Wonderful question! Flaxman was betting on the power of suggestion, allowing the viewer to engage their imagination. He invites us into Homer's world, not as passive observers, but as active participants. It’s an illustration alright, but it is also almost like a prompt for our own storytelling. Don’t you think so? Editor: Definitely! I hadn't thought of it that way, it really encourages you to fill in the blanks. Curator: Absolutely. It is one artist echoing another. He's asking us to see beyond the immediate to catch glimpses of the heroic struggles and journeys that still resonate with us centuries later. Now, that’s rather something, isn't it?

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