Kelken met kruizen 1775 - 1790

Jean François Forty created this drawing of chalices with crosses in the late 1700s. It's made using etching, a printmaking technique that translates the language of metalworking onto paper. Look closely, and you'll see a remarkable eye for detail, capturing the play of light across the surfaces of these objects. The chalices themselves are clearly precious, adorned with foliage, cherubs, and religious symbols. While the drawing is two-dimensional, Forty gives us a clear sense of the material qualities of the objects he depicts. Imagine these chalices in use. The weight of the metal, the coolness of the cup against the lip. Forty was not just representing objects; he was also conveying the value associated with skilled making. Each line speaks to the time and labor involved in crafting these objects. By emphasizing the artistry inherent in their design and creation, Forty elevates craft to the level of fine art.